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Daisy Jin(info) 
Index
Daisy Jin is a graphic & game designer with a focus on multi-media entertainment based in Los Angeles, CA. She explores the spectrum between whimsicality and practicality of "tools," employing visual language to uncover concealed mirth within commonplace.
Chapter IWhimsical “Tools”Visual and Interaction Design

Zhuan QingshanInteractive Projection
2024
REMOONSystem Design
2022
GooyBrand Identity
2021
CallicVariable Font Design
2022
DigiphetHologram Installation
2023
Bug Report : 2018Experimental
2022
Deconstructing LegibilityGlass Making
2022
All Possible Wine GlassExperimental
2022
(R)PetsApp Development
2023
(non)SupermarketWeb Development
2023
What If Michelangelo Was RichMaterial Exploration
2023
takin.aiBrand Identity 
2023


Chapter IIPractical “Tools”Game and Experience Design

The Archivist
Virtual Reality Experience 
2024
RootsAdventure PC Game 
2023
Grandma GreenCozy Mobile Game
2023
FandomeEditorial Board Game
2022
WindMobile AR Game
2023
Hanzi TarotPuzzle PC Game 
2023
Cubix QuestPuzzle PC Game
2023




Deconstructing Legibility
Deconstructing Legibility
glass making & letterpress
Dec.2021

partner: Mankun Guo

When we talk about legibility, what should we say? Deconstructing legibility is a collaborative project composed of four chapters that explore, experiment, and play with the boundaries of typeface legibility.

Two typefaces have been used in this experiment, and each chapter can be understood as a move to decrease the leigibity.


Chapter 0 the typefaceCallic Text Regular
designed by Daisy

abcdefghijklm
nopqrstuvwxyzMo&Vio Text Regular
designed by Mankun

abcdefghijklm
nopqrstuvwxyz

Chatper 1Laser Cut
A laser cut is our first move to decrease legibility. Although the accuracy of laser cutting stands out among other cutting methods, the high temperature of the laser still causes burns and an inaccurate contour of the typeface.

Chatper 2Glass MakingThe second move is making the glass letterpress. Due to the nature of hot glass, we attempt to maintain the temperature-based fluidity of glass while running fast in order to let glass stay at it’s best temperature. The best method is to glue a stick on laser-cut letters and press them in sand, spray syrup on sand and burn it in order to keep it solid (as the glass might change it’s shape), and pour hot glass into our model.

Chatper 3LetterpressingThe third move was to test various materials that are reasonable for the printing process.The glass letterpress has become our main tool to test on the last step of deconstructing legibility: printing.


Chatper 4Visualizing DeconstructionThe final step is to visualize our experiment. We decided to highlight the typeface's decreased legibility using four 'posters' that correspond to the four chapters. It's interesting to note that, despite the fact that we used two different typefaces, which can still be seen in the first poster, legibility begins to wane, leaving only the basic structures of each letter (san-serif!!!).

chapter 3
glass letterpress on 300gsm cardstock paper 
(using ink




chapter 2
glass letterpress on silk 
(using letterpress dye)
chapter 0
typeface directly printed 
on matte paper
chapter 1
laser-cut letters pressing 
on foam board




05Glass Making2022